Maree Sheehan
Iwi Affiliations
Ngāti Maniapoto, Waikato,
Ngāti Tuwharetoa, Raukawa,
Ngāti Tahu- Ngāti Whaoa
Īmera: maree.sheehan@twoa.ac.nz
Relevant Qualifications
2020: Practice-led PhD at Auckland University of Technology, The Sound of Identity Interpreting the Multi-dimensionality of Wāhine Māori Through Audio Portraiture with the accompanying exhibition of Ōtairongo at Artspace Aotearoa
Professional Summary
As a researcher, educator, and composer, I have the privileged role of responding to the educational aspirations of many communities. My personal belief is that outstanding achievements are invariably the result of planned and sustained collaboration. This is especially true when the team has diverse skills and are kaupapa-driven, committed and hardworking, therefore I also acknowledge those who work with me. I especially have had the benefit of many mentors in my lifetime and want to acknowledge those who have supported me to be where I am today. Over the last 15 years, I have worked as a lecturer, academic convenor and supervisor at Te Ara Poutama and as Head of Postgraduate Studies for School of Art and Design an AUT. In the last six months, I was privileged to work for Ngā Pae o Te Māramatanga as Pou Whakaaweawe role.
Research
I am privileged to work for Te Manawahoukura Research Centre at Te Wānanga o Aotearoa as Kairangahau Matua (Toi) research fellow. My practice-led research reflects a deep devotion to the development of Māori and Indigenous scholarship. I seek to contribute in ways that my research enhances Māori communities, academic and artistic communities.
Leading on from the PhD, Ōtairongo was included in Māori Curator, Nigel Borell’s groundbreaking Toi Tū Toi Ora: Contemporary Māori Art at Auckland Art Gallery Toi o Tāmaki (2021) as the only sonic artist. Ōtairongo achieved the distinguished Toitanga Purple Pin and three Gold Pins at the Designers Institute of New Zealand Best Awards in 2020. And, in 2022, I was invited to conceive the first Sound Design category and to be an Inaugural Judge. My PhD has also garnered some great statistics on Tuwhera with over 2000 downloads to date and multiple views, which highlights that my research is contributing to local and international communities.
Last year, I was invited by Research Project Leader Dr Valance Smith for Te Reo o Waonui a Tane - the language of the domain of Tane to contribute as Research Leader in the Te oro o te ngāhere (TOOTN) strand (externally funded by Te Tira Whakamātaki and MBIE). It explores and examines many aspects on how to support Kauri ora primarily within Te Tai Tokerau area. The significance of this research collaboration places the revitalisation and reclamation of te reo, tikanga and Mātauranga Māori at the fore to ensure our cultural knowledges continues to be evident in these research activities and the outcomes.
In 2022, I received external research funding from Ngā Pae o te Māramatanga (NPM) Matakitenga Research Fund to explore whenua and waterways ecosystems through Lidar scanning sonic-mapping at Motiti Marae. The collaborative research project offers deep temporal and spatial insights that can help to re-shape our understanding of ecosystems, and sustainability for the future of our whenua.
In 2021, I had the honour of being appointed the kaitaiaki and creative leadership role in the Song(s) of Solomon project that draws together the works of Ralph Hotere and Cilla McQueen with fourteen prestigious Māori singer songwriters, poets, spoken word artists and performers. Within this project, Kaupapa Māori research practices are intrinsic in the ways I develop and build relationships with communities. As noted in RE, this project has acquired both external funding and internal AUT funding. Alongside an exhibition curated by Nigel Borell, I am co-producing the documentary and have garnered the support of Oscar winner Chelsea Winstanley as executive producer.
The invitation to write a chapter for The Routledge Handbook on Women's Work in Music (2021) provided a platform to honour and affirm the contributions of wāhine Māori in Aotearoa music industry. My 2020 articles, Contemporary popular Waiata provide a place of Belonging (MAI Journal); Mana Wahine: Māori Women in Music (Te Kaharoa Journal); Audio Portraiture –The Sound of Identity, an Indigenous Artistic Enquiry (Audio Engineering Society) focus my interest in sonic portraiture, Māori women in music, sonic artistic practices and sound technologies.
Music Composition
My music composition practice spans decades within the popular contemporary music arena. This has been recognized through several awards in the New Zealand music industry and acquired multiple public broadcast and presentations locally and internationally.
In 2021, I was awarded the Professional Development Award for Screen Composition from Australian Performing Rights Association (APRA) as well as the APRA Art and music award for composition in 2022. This signifies the recognition of my composition practice by the New Zealand music industry.
In recent years, since engaging in my PhD, it has also been a natural progression to develop my composition and sound design practice in film, television and sound art.
This year, I was invited to compose for the television series, Queer and Here, a six-part documentary series, broadcast on Māori Television and funded by NZ on Air – a series, I was proud to contribute to because it highlights many LGBTQI courageous and heroic stories that celebrate these communities. I was also requested to compose for the short film, Disrupt in 2021 by Koru Productions – a story about a Māori grandmother who refuses to give up on her P-addicted grandson, more so it resonates with many communities globally. In 2020, I composed the music score for the documentary film PLUCK produced by Bella Pacific Media and directed by Kirsty Griffin. PLUCK is a moving and uplifting film that follows 73-year old Jean Neshausen’s journey to weave her final korowai for her daughter as she faces her own mortality. Disrupt and PLUCK have featured in film festivals here and internationally with PLUCK also winning film awards.
Key Contributions
Research Publications
Sheehan, M. (2022). Threaded's Special Edition #21, the 'Te Pō and Te Ao Mārama' issue (No. Of Pieces: 1) [Artefact]. https://www.threaded.co.nz/threaded-ed21: Threaded Media Ltd. Retrieved from https://www.youtube.com/watch?v=pDe_z7uKOnE&t=8s
Tavares, T.,Grieve, F., Clarke, K.,& Sheehan, M. (2023). Threaded Edition 21: Exploring Māori creation narratives with augmented reality-animated sonic experiences in publication design. Journal of pervasive media.(8) 123–142. Retreived from https://doi.org/10.1386/jpm_00008_
Sheehan, M. (2022). Threaded's Special Edition #21, the 'Te Pō and Te Ao Mārama' Exhibition (No. Of Pieces: 1) [Artefact]. St Paul Street, Gallery 3, Auckland University of Technology, Aotearoa/New Zealand: Threaded Media ltd. Retrieved from https://www.youtube.com/watch?v=pDe_z7uKOnE&t=8s
Sheehan, M. (2022). Queer and Here television series (No. Of Pieces: 6 episodes) [Artefact]. Māori Television: Te Māngai Paho. Retrieved from https://www.maoritelevision.com/shows/queer-and-here
Sheehan, M. (2021). Māori women at the forefront of Aotearoa/New Zealand music in the mid 1980s and early 1990s. In R. Mathias (Ed.), The Routledge handbook on women's work in music (pp. 289-297). Routledge. doi:10.4324/9780429201080
Sheehan, M. (2021). Disrupt (No. Of Pieces: 00:13:31) [Artefact]. Whānau Marama - New Zealand International Film Festival: Koru Productions Ltd. Retrieved from https://www.nziff.co.nz/disrupt/
Sheehan, M. (2021). Ngahiwi Apanui. In Audioculture Iwi Waiata. Retrieved from https://www.audioculture.co.nz/profile/ngahiwi-apanui
Sheehan, M. (2021). Toi Tū Toi Ora Artist Profiles (No. Of Pieces: Toi Tū Toi Ora Toi o Tamaki Artist Profiles 9 artist's profiles) [Artefact]. Auckland Art Gallery Toi o Tamaki online: Auckland Art Gallery Toi o Tamaki. Retrieved from https://www.aucklandartgallery.com/page/toi-tu-toi-ora-artist-profiles?q=%2Fpage%2Ftoi-tu-toi-ora-artist-profiles
Sheehan, M. (2021). Ngaire. In Audioculture Iwi Waiata. Retrieved from https://www.audioculture.co.nz/profile/ngaire
Sheehan, M. (2021). Hinewehi Mohi Profile. In Audioculture Iwi Waiata online article. Retrieved from https://www.audioculture.co.nz/profile/hinewehi-mohi
Sheehan, M. (2021). Toi Tū Toi Ora Virtual Tour (No. Of Pieces: 1) [Artefact]. Auckland Art Gallery Toi o Tāmaki: Auckland Art Gallery Toi o Tāmaki. Retrieved from https://www.aucklandartgallery.com/toi-tu-toi-ora-virtual-tour?q=%2Ftoi-tu-toi-ora-virtual-tour
Sheehan, M. (2020). Ōtairongo (No. Of Pieces: 3 audio portraits) [Artefact]. Auckland Art Gallery Toi o Tāmaki: Auckland Art Gallery Toi o Tāmaki. Retrieved from https://www.aucklandartgallery.com/explore-art-and-ideas/artist/11988/maree-sheehan
Sheehan, M. (2020). Audio portraiture: The sound of identity created through immersive and binaural audio environments. Online. Retrieved from https://lasertalksauckland.com/2020/09/25/25-september-2020-immersive-experiences-time-place-and-identity-2/
Wilson, D., Kadalov, Y., Sheehan, M., Cowell, J., Khoo, C., & Reay, S. (2020). Family violence animation (No. Of Pieces: 1:00mins and 1:21 mins/2 animations) [Artefact]. https://www.facebook.com/ItsNotOK/posts/3451832898202274: www.areyouok.org.nz.
Pio, E., Spiller, C., Smith, V., & Sheehan, M. (2020). Unleashing energy in organisations through haka and waiata. New Zealand Journal of Human Resources Management, 20(1), 22-38. Retrieved from https://hrnz.org.nz/nzjhrm/articles/2020
Sheehan, M., Griffin, K., & Kernick, V. (2020). Pluck (No. Of Pieces: 27 min) [Artefact]. New Zealand: New Zealand DocEdge Festival 2020. Retrieved from https://festival.docedge.nz/search.html?q=Pluck
Sheehan, M. (2020). Audio portraiture sound design and the development and creation of audio portraiture within immersive and binaural audio environments. In Journal of the Audio Engineering Society. Audio Engineering Society Vol. Engineering Brief 566. Vienna (online): Audio Engineering Society. Retrieved from http://www.aes.org/e-lib/browse.cfm?elib=20804
Sheehan, M. (2020). The sound of identity – Interpreting the multi-dimensionality of wāhine Māori through audio-portraiture. (Auckland University of Technology, Auckland, New Zealand). Retrieved from http://hdl.handle.net/10292/13262
Sheehan, M. (2020). Hōkioi me te Vwōhali – From Spirit Eagles Land music composition (No. Of Pieces: 1hr 10 mins) [Artefact]. Sounds Theatre, Te Papa, New Zealand Arts Festival, March 2020: New Zealand Arts Festival. Retrieved from https://www.festival.nz/events/all/h%C5%8Dkioi-me-te-vw%C5%8Dhali-from-spirit-eagles-land/
Sheehan, M. (2020). Ōtairongo presents audio portraits of three mana wahine Māori - Moana Maniapoto, Te Rita Papesch and Ramon Te Wake through the use of immersive binaural sound-capture technologies. (No. Of Pieces: Three audio portraits of 7 minutes each) [Artefact]. Auckland Art Gallery: Auckland Art Gallery Toi Tū Toi Ora Māori contemporary art exhibition. Retrieved from https://www.otairongo.co.nz/
Sheehan, M. (2019). Capturing the ‘sound of portraiture’: A exploration into the Binaural and real spatial sound capture for a 3D immersive experience. Sydney, Australia. Retrieved from https://www.metexpo.com.au/conference-program-2019/
Sheehan, M. (2019). The sound of Portraiture: An Artistic Inquiry into the Indentity of Wāhine Māori. Waikato University, New Zealand. Retrieved from https://naisa2019.waikato.ac.nz/conference/programme/
Jowsey, S., Williams, M., Sheehan, M., & Higgins, S. (2019). The Passing (No. Of Pieces: one video work, one photographic installation, a single large scale print and a Lightbox) [Artefact]. TSB Bank Wallace Arts Centre, Pah Homestead, Auckland, NZ: TSB Bank Wallace Arts Centre & Auckland Photofestival. Retrieved from https://www.photographyfestival.org.nz/programme/exhibitions.cfm
Sheehan, M. (2018). Sound of Identity: A Māori Artistic Enquiry. In Auckland University of Technology Art and Design PhD Student Hui Faculty of Design and Creative Technologies. Nga Wai o Horotiu Marae.
Sheehan, M. (2018). Living Taonga: Inanahi, Ināianei me Āpōpō. In 8th Biennial International Indigenous Research Conference. Auckland. Retrieved from http://www.indigenousresearchconference.ac.nz/abstracts-and-programme
Sheehan, M. (2018). The sound of portraiture: An artistic inquiry into the identity of wāhine Māori. In 8th Biennial International Indigenous Research Conference. Auckland. Retrieved from http://www.indigenousresearchconference.ac.nz/abstracts-and-programme
Sheehan, M. (2018). International Indigenous Research Conference 2018 Keynote Inanahi, Ināianei me Āpōpō. In International Indigenous Research Conference 2018. Owen Glen Building Business School University of Auckland: International Indigenous Research Conference 2018. Retrieved from http://www.indigenousresearchconference.ac.nz/abstracts-and-programme
Sheehan, M., & Smith, V. (2018). Ka Haka II, Auckland University of Technology 2018, Co Chair. In International Indigenous Research Conference 2018. Owen Glen Building, Business School.
Sheehan, M. (2018). Audio portraiture –The sound of identity, an indigenous artistic enquiry. In Journal of the Audio Engineering Society Vol. Paper no 10089. Javits Center, Manhatten, New York: Audio Engineering Society. Retrieved from http://www.aes.org/e-lib/browse.cfm?elib=19815
Meet the Team